Showing posts with label Sunday Evening Rad Flick. Show all posts
Showing posts with label Sunday Evening Rad Flick. Show all posts

Sunday, December 12, 2010

Sunday Evening Rad Flick


I'm gonna lay out a movie plotline for you. A young girl tragically loses her family. With nowhere else to go she turns to her neighbor who lives alone next door for a place to stay. He takes the child into his home and raises her like his own. She cooks, cleans and teaches her illiterate caretaker how to read in return. They develop a relationship akin to any single father and daughter. At this point you're like ok...stop right here. This sounds like the lamest movie ever and probably stars Miley Cyrus or Amanda Bynes as an abandoned teen girl beaing raised by Greg Kinnear. BOOOWRING. Why on earth are you recommending this shitty family drama? Well if you'd let me finish I was just about to mention that this movie involves badass mob hitmen, corrupt drug addled DEA agents, and some of the Raddest shootout scenes ever recorded on film. Sound a little more intriguing than you first thought huh? I give you this week's Sunday Evening Rad Flick: Leon The Professional.

Leon The Professional is a fucking Rad action flick. It's actually a French film (directed by Nikita's Luc Besson) that happens to feature English dialogue and an entire cast of badass (but relatively B-list) Hollywood actors. I think you can safely say this is the most badass movie with the words "French Film" attached to its description. The movie's main character is Frenchman Leon', a "Cleaner" (assassin) for the Italian mob in New York City. We find out pretty early that he is the best at what he does and there is no cleaning job too complex for him to handle. Unfortunately, Leon doesn't have much of a life outside of whacking guys named Vinny who owe his boss money, unless you consider tending to your houseplants and watching Gene Kelly flicks on TCM an active social lifestyle (i.e. you're a cat owner). That is until he meets his neighbor Matilda, a rebellious 5th grader that smokes cigs in the hallway, swears, skips school and generally hates her life. Matilda is played by a smoking hot 12 year old Natalie Portman (NBC's "To Catch a Predator"...I'm fucking joking), before her days of listening to The Shins and making shitty hipster romance flicks with Zach Braff. Leon and his young neighbor immediately hit it off as fellow loners.

Since Matilda's daddy is a deadbeat shithead, he is deeply in debt to people that are not to be fucked with. When he runs out of time on one debt in particular, a dirty DEA agents on the take show up to his front door to collect. By "collect" I mean they kick in the door and brutally murdering Matilda's entire fam in broad daylight as punishment for failing to make the payment. Luckily for Matilda she's out at the store during this ordeal and upon seeing police tape around her apartment seeks refuge at Leon the hitman's apartment across the hall. She tells him the story and he lets her temporarily (so he thinks) stay at his crib. After a few days they come to a compromise. She agrees to help around the house, do the grocery shopping etc. In exchange Leon' will let Matilda stay in the apt. and will train her to be a "cleaner" so that she can eventually avenge her family's murders. He starts to take her along on his jobs and teaches her to use each item in his arsenal of rad firearms, starting with small pistols and sniper rifles. Unfotunately this backfires when Matilda takes matters into her own hands a little early, complicating matters for her and Leon.' I won't give away any more.

Anyways, the key to any Rad action flick about the battle between good and evil is often a totally psychotic Rad villain. While people these days know Gary Oldman for his role as good guy Commissioner Gordon in the Batman flicks, generally you'd be hard pressed to find an actor that portrays a totally Rad bad guy as well as Gary Oldman. Think Dracula, True Romance, and most recently The Book of Eli to name a few. Oldman's evil tour de force however, is The Professional. In this flick he plays crackhead nutball Stansfield a dirty DEA agent that's gone way over the edge and is a total lunatic. Stansfield absolutely gives less than a fuck. He's in it for number 1 and will off anybody that crosses him or puts him in a bind, be they man, woman, child or grandma. Stansfield gets hyped for fucking people up by listening to...Beethoven. Yeah I know, most people got fired up for high school basketball by listening to DMX, so this seems like a curious choice. Somehow when you're bat-shit insane though, Ol' Ludwig Van B. does the trick in inspiring you to start spraying bullets every which way. Below is a clip that shows Stansfield at his diabolical best, jamming out to symphonies, firing shotguns, and then sitting down to a nice chat about how he picks his work jams. It's totally Rad.

If you're looking for your standard cookie cutter generic action flick go check out the newest 90 minutes of cinematic excrement from Nicolas Cage or Dwayne "The Rock" Johnson. If you want to watch a totally Rad and unique action drama however, check out Leon' The Professional. It fucking rocks. Trust me Stansfield in all his psychotic glory, and his Beethoven tapes makes it worth it alone.

Sunday, November 28, 2010

Sunday Evening Rad Flick


Generally, when you're talking about Rad flicks, you don't expect the term "romance" to come up very often. Unless you're a John Mayer fan whose idea of a Rad Sunday evening is curling up with "The Notebook." You certainly wouldn't expect the term "romance" to be included in the title of a Rad flick, which is why naming this week's Rad Sunday flick may be met with a curious look if you recommend it to somebody. You would have to emphasize that this particular "romance" involves hookers on the run from mobsters, stolen briefcases of cocaine, shootout with drug dealers, and corkscrew stabbings. Oh and a cast involving pretty much every Rad actor..ever. This week's Sunday Evening Rad Flick: TRUE ROMANCE.

True Romance fucking rules. Lets start by noting that True Romance was the first major motion picture screenplay written by Quentin Tarentino (though he didn't direct). So right off the bat you can assume this movie is going to be some over the top, crazy Rad entertainment filled with great dialogue, a rollercoaster plot, and gratuitous violence. True Romance stars Christian Slater and Patricia Arquette's tits as our two main characters. They play our lovers on the run in the film, Clarence and Alabama. Clarence is a down on his luck loser and Alabama is his hooker with a heart of gold. Without giving away too much about the plot, they meet, get married on a whim, and then accidentally choose to fuck with the possessions of the wrong people. Then the fun begins and we're off, watching Clarence and Alabama on the run, eluding bad guys and trying to get rich quick without getting killed. You'll be glued to the screen hoping these two crazy Rad kids make it.

The funny thing about True Romance is that the two aformentioned lead characters are played by the least prominent members of the film's cast. The cast of True Romance is absolutely loaded with badass actors playing small secondary roles. Each of whom makes the most of their brief time onscreen. You've got Gary Oldman playing a sleazy rastafarian. You've got James Gandolfini in his pre-Soprano days playing a mob henchman. You've got Brad Pitt cast as a lovable stoner. Val Kilmer is cast as...Elvis? Even Balki from "Perfect Strangers" (Bronson Pinchot) shows up as key member of the cast. Of course no Tarentino flick would be complete without Samuel L. Jackson making an appearance. He's literally in the movie for about two minutes, but as usual it's one of the most memorable dialogue sequences of the entire movie.

Of course, as I mentioned before no Rad flick is complete without "The Scene." That one part of the movie you could watch a million times on repeat if you were stranded on an island. In True Romance this scene is the one featuring two lifetime achievement Rad dudes in Christopher Walken and the recently deceased Dennis Hopper. Both these guys have made careers out of memorable bit parts in movies, (think Walken in "Pulp Fiction" and Hopper in "Apocalypse Now") and this moment ranks right up there with their finest work. Christopher Walken is mobster Vincent Carcotti or as he describes himself "The anti-Christ in a vendetta kinda mood." Dennis Hopper plays Clarence's dad Clifford, a nice guy small town cop. Carcotti and his mafia hoods are interrogating Clifford regarding the wherabouts of his "fuckhead son" and his new bride on the run. Somehow this leads to a discussion about...Sicilians. The ensuing interaction is an absolute overload of Rad and one of my favorite movie scenes ever (DISCLAIMER: contains offensive NSFW language. Duh. So use your headphones).

Take an evening to check out this totally Rad flick and you won't be disappointed. Try as I did in the previous paragraphs to describe the sheer awesomeness of this movie, I can't really put into words just how Rad this flick is. Honestly, I really could have picked any of a dozen choices for "The Scene" in this movie, though I feel like this selection gives the least away. So give True Romance a shot. In the meantime, I'm gonna go have that Chesterfield now...

Sunday, November 21, 2010

Sunday Evening Rad Flick


I've made it very clear on this blog just how disgusted I am with the current state of music (or rather what passes for "music" these days. Rock and Roll however, is not the only entertainment industry that I have utter disdain for. I also have serious beefs with Hollywood and the film excrement they try to pass of as cinematic excellence. I used to be addicted to going to the movies and hitting up Blockbuster for the latest rental releases. Now I'm lucky if there is one movie a year that I am truly impressed with. A truly classic flick that above all is highly rewatchable. Any movie can be enjoyable once, but a Rad flick can be watched over and over again, and never gets old. Timeless flicks are a rarity these days, so I'm adding a new feature to The Lawn where I will showcase a Rad flick each week, while angrily shitting on other non-Rad films. This week's Sunday Evening Rad Flick: CARLITO'S WAY.

If I were to say to you, "Quick name me a super Rad movie directed by Brian De Palma, starring Al Pacino as a Latin-American drug kingpin," what would your first answer be? It would obviously be "Scarface" right? Wrong answer. I award you no points and may God have mercy on your soul. If you were a true connoisseur of Rad flicks you would have quickly responded "Carlito's Way." I'm sorry but Scarface is one of the most overrated gangster flicks ever and certainly Al Pacino's most overhyped role as an actor. Just like every other dude in the world I obviously "like" Scarface. It's hilariously over the top 80's cheesedick entertainment, that rates about a 17 out of 10 on the unintentional comedy scale. It is not however, a "good movie." And Al Pacino's ridiculous Cuban accent and coked up machissmo is not "good acting." Saying Scarface is the greatest gangster movie ever is kinda like saying you consider Poison the greatest rock band in history. For truly Rad gangster entertainment featuring Pacino as a far more subtle badass you should turn to Carlito's Way.

Carlito's Way is such a fucking Rad flick. Most gangster flicks follow a familiar formula: Watch the badass main character as he rises from humble beginnings to a position of power in the crime world, and then watch his fall from the top that eventually leads to his incarceration/death. Carlito's Way however is one of the few flicks that focuses on a gangster that has already experienced all of the highs and lows of his illegal profession, and is now actually making an effort to get out of the game and get involved with legitimate business. Basically a retired Rad dude, that is now trying to get his shit together. In Carlito's Way we have newly released from prison Po-Rican drug kingpin Carlito Brigante ("The JP Morgan of the Smack business"), making a return to his old streets. Only now he's trying to go straight. Yeah well clearly that shit ain't happening. Not when you have a coked up scumbag attorney (A sleaztastic Senn Penn with totally Rad Jew fro) holding you in his debt for getting your ass out of the pen early. Not when you got District Attorneys with a hard-on for you, waiting for a slip-up. Not when you got chain-snatching, jive-ass maricon motherfuckers like Benny Blanco (From the Bronx) and Pachanga looking to make a name for themselves. Even as a legit club owner Charlie will have to look over his shoulder everytime he blows his nose. His plan for getting outta the game is completely fucked from the get-go.

Carlito's Way has all the essential elements needed for a classic Rad flick. First of all, it has totally badass dialogue. Remember all those awesome intros on the old school Jay-Z albums?

"OK I RELOADED! You Muthafuckas think you big time?? Fuckin wit me you gon' die big time! Here come da Pain!"

"Somebody's pulling me close to the ground...I ain't panicked.."

Yeah people generally assume these lines are from Scarface. They're not. They're from Carlito's Way. Carlito's Way also benefits from following the inner dialogue narration format (ala "Goodfellas"), where Carlito cracks eggs of knowledge all over your ass throughout the film, in talking about the pitfalls of the hustler's code and how hard it is to lose your gangster instincts. "He don't invite this shit..it comes to him..he runs, it runs after him.." This is another rad element of the flick. Our hero's constant inner-conflict. Rad flicks never have a boy scout for a hero. The main dude has gotta be flawed in some manner, walking the fine line between right and wrong. Brigante has to toe the line between staying out of trouble to avoid a return to incarceration, while also maintaining his rep as a badass amongst the mobsters, drug dealers and thugs. At every corner he's gotta pick between firing back and running away from the shootout. He's gotta decide which low-lifes he needs to kill and which ones just need to be sent a message by being hurled down a flight of stairs. He's gotta figure out how much he can truly pay back his cokehead lawyer David Kleinfeld, without putting his own ass on the line. After all, "A Favor gon' kill you faster than a bullet." These are the dilemmas that drive every moment of this Rad flick.

Perhaps the most important element of any Rad flick is "The Scene." I don't mean just a cool movie scene. I mean a moment in a flick that is truly memorable. You know where you're flipping through your TV and you land on that one scene in a movie that you HAVE to watch. I don't care what I'm doing, I am not leaving this couch till this scene is over. THAT scene. In "Carlito's Way" The Scene is the extended chase scene through Grand Central/Penn Station (check the IMDB goofs section on the film for further explanation). This scene is totally Rad. You are on the edge of your seat the entire time. How long can Carlito hide out behind that pillar? Can he get on this subway train and duck his pursuers? How many bad guys can he possibly take out with his one Baretta? Will he make the last Amtrak to Miami with his pregnant girlfriend in tow? Has he truly tied up ALL loose ends in his life, or is there one base he left uncovered? As Carlito himself tells you earlier, if you can't see all the angles...you're in trouble. Anyways I can't delve any deeper without spoiling this rad flick for you.

So just take an evening off from watching your limited edition platinum 20th Anniversary copy of Scarface for the zillionth time, and rent/Netflix a far better gangster pic. Carlito Brigante motherfucker to the max. Go along for the ride..the whole ride..all the way to the end of the line wherever that is.